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 THE
MAZE RUNNER

By James Dashner
Reviewed by
Kenny Brechner
The
task of an author of heroic fiction parallels that of her central
characters, however many hurdles they pass through, however far along the
road they travel, the analogy of Odysseus' return, of Frodo's casting the
ring into the fire, can always find a parallel in the author's achievement
of a satisfying and truthful culmination. Few books offer a closer parallel
of author and narrative than James Dashner's Maze Runner.
A
group of bright teen boys, whose memories have been altered to retain
analogous memory, but to remove all personal memory, have been placed in a
large glade surrounded by four towering walls. Each wall opens during the
day and closes at night. Beyond the walls is a shifting maze patrolled by
deadly creatures called Grievers at night, at least for the most part. The
boys are aware that they are in some sort of experiment, being monitored by
unknown persons they refer to as the Creators, who send them a metal box of
supplies daily, and a new member once a month. The boys run an otherwise
self contained agrarian society, with a council of keepers, and a select
group of maze runners, who attempt to solve the puzzle and find an escape.
The first two thirds of the book is tightly focused and very interesting.
Most readers will be hooked indeed.
The
gladers have concluded that there appears to be
no solution to the maze, no way to solve the puzzle, and the author
seems to have come to the same conclusion about the book. Two telepathically
connected character appear in the glade on successive days, announcing that
the end game has come. The result is that all the old rules have been thrown
away and the gladers will be forced to find a solution or perish, one at a
time. They are pushed along this new helter skelter path by their two new
citizens, one being a boy, Thomas, who is the lead character, and narrator.
the other is a girl named Teresa
who starts off in a coma, after making a dire pronouncement.
Once
Teresa awakens and the end game begins,
the whole narrative construction of the book is thrown aside in favor
a mad jumbled dash to the finish. Thus, after stoutly carrying the narrative
load for two thirds of the book, the load is abruptly dropped,
leaving author and characters to make a wild run for it. This is a
shame as the book is loaded with potential. The use of an inventive language
by the gladers really works, and the cohesion of their society is very
persuasive and compelling. It is the first book in a trilogy and I certainly
want to see what in the world is going on, what book two will bring to the
table I mean to say.
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