If it is possible to be obligated to
agree with a book, then no book commands our agreement more than Ted Conover=s
Newjack. Conover has built a career around Aexperiential
journalism,@ which is essentially
undercover reporting. The subtitles to Conover=s
first three books , Coyotes, Rolling Nowhere, and Whiteout, are
instructive, A Journey Through the Secret World of America=s
Illegal Aliens, Riding the Rails with America=s
Hobos, and Lost in Aspen, respectively.
Conover had decided to write an article on the training of
prison guards. When he was refused access, Conover, like a retired superhero
reluctantly donning his tights again, chose to apply for a guarding job himself
and, upon succeeding in his application, entered the training academy. After
graduating the author worked a one year detail in Sing Sing.
The appeal of experiential journalism is clearly
complicated in that voyeurism and a genuine interface with profound social
issues are necessarily intermingled . In Newjack these two elements are
particularly difficult to disentangle. The difficulty and danger of Conover=s
work is itself a complex intermingling of moral and physical fibres, a
complexity which he constantly reinforces in the reader.
Without question Conover has a fascinating, visceral story
to tell. Indeed, a person with five hundred words at his disposal hardly knows
where to begin. To the inmates at Sing Sing, a population in which inner city
minorities overwhelming predominate, prison is both a microcosm and an extension
of society, and even history at large. This state of affairs is highly
reinforced by the fact that the guard population is conversely made up
overwhelmingly of a white rural population.
The world Conover narrates into being is one of toxic
stasis which results in an atmosphere of moral erosion whose toxicity affects
everyone involved, guards, prisoners and administrators.
Conover graphically represents the warped power
relationship between guard and prisoner, the morbid results of infantilizing
grown men. At the same time Conover=s
relationship with the reader also reflects an imbalanced power relationship, his
genuine experience counterposed with the enforced voyeurism of the reader , give
his perspective a moral ascendancy which, though far more subtle, is as
distorted as a guard prisoner relationship.
The author=s
emphasis on humanity is obviously well placed, and his pleas to bring education
to prison as the only real ameliorative solution, hits home. Conover is right,
we feel, and so we deceive ourselves into the placid security of agreement.
The underlying currents of racism, and classism, which
Conover points to, are themselves but surface manifestations of the age old
defects in the human character, the brutality and despair which have haunted
human society at all times and in all places. Camus argued that Justice was a
euphemism for Revenge. Conover=s
narrative makes one wonder whether that revenge does not take the form of using
the punishment of criminals as the ultimate self deception of collective
humanity, punishing an aspect of itself in order to stave off self awareness of
its own culpability, bestial nature and hypocrisy.